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                 Mavericks like Netflix and Amazon are also changing how a production
                 deal goes through. Traditional networks pay producers and bankers as
                 soon as they get their content. Streaming services parcel out payments
                 over time to offset the expense of content creation against the money
                 brought in from subscribers. That shift limits small-to-medium-sized
                 production companies because they need to be paid in advance for
                 project financing. Some banks have addressed that problem though.
                 Barclays will loan money against future payments so producers are not
                 required to tie up their personal assets.

                 Streaming companies are also changing the way screenwriters and
                 directors tell their stories. The novelistic element of binge-watching lets
                 the story drive the running time, not the other way around. Remember
                 when one had to wait for fall television season to catch up on the best
                 series? Well, these days, global television streaming services operate
                 24/7, twelve months of the year.

                 In another camp is Hulu, which last year became its own live TV
                 provider. For one flat fee, regular Hulu has thousands of film and
                 television series as well as a live TV package with over 50 channels
                 and is compatible with Android, Apple, Chromecast, and others. One
                 stipulation:  Hulu only offers live feed from the big-four broadcasters
                 (ABC, CBS, NBC, Fox) in certain regions, which covers a lot of
                 households, but still leaves some audiences out.

                 All told, video-on-demand, pay-per-view, and subscription video will
                 have a total market value of $283 billion by 2022, according to Digital
                 TV Research reports. These numbers only further reinforce the fact that
                 the appetite to invest in strong content will persist. Moving forward,
                 TV and online video planning and measurement will become one,
                 with good metrics data making the deciding vote for ad agencies and
                 advertisers looking for the maximum exposure for their clients.

                 Television has certainly come a long way. While you may not be able
                 to put a price on love, entertainment is an entirely different story. We
                 eagerly await the next chapter.










                                          Dieter Esch
                                          Chairman








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