Page 132 - OCEAN BLUE - WINTER 2016

PORTFOLIO

By Kristofer Dayne Penseyres TO BE

A HOLLYWOOD
FILM PRODUCER

I n an era where
Captain America
exchanges punches
with Iron Man
in a fight for the top spot in
box office returns, it seems
there is no limit to the profits
made with films. So how
do you become part of "The
Industry?” How can you make
sure the film you choose will
be profitable? How can you
lower the risks in what is
ultimately known as a high-
risk investment?

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